Opus 67 (orig.)
Central Christian Church
Huntington, IN
View Site
The church is a contemporary building with an angular ceiling including a V-shaped notch to accommodate the organ. The instrument’s asymmetrical appearance, a departure from our previous work, allows the entire visual design to flow into the architecture of the church.
Opus 67 follows Charles Fisk’s Alsatian ideal, but demonstrates his growing interest in the work of Gottfried Silbermann. The winding system, including the effective Tremblant doux, is based upon Silbermann instruments. The overall tonal design of organ is eclectic to fulfill its many roles in leading congregational singing, choral accompaniment, and interpreting organ repertoire. Joan Lippincott dedicated the organ in October 1976. Three “prepared-for” stops, the Great Doublet 2′ and the Swell Geigen 8′ and Hautboy 8′, were installed in 1986.
Great
Bourdon 16′
Prestant 8′
Spire Flute 8′
Octave 4′
Doublet 2′
┌Blockflute 2′
└Cornet III
Mixture IV-VI
Trumpet 8′
Swell
Geigen 8′
Chimney Flute 8′
Spitz Flute 4′
┌Nazard 2 2/3′
└Cornet II-III
┌Fifteenth 2′
└Fourniture IV
Cremona 8′
Hautboy 8′
Pedal
Bourdon
Octave 8′
┌Superoctave 4′
└Superoctave 2′
Bassoon 16′
Swell to Great
Great to Pedal
Swell to Pedal
Tremulant
Bracketed pairs of stops controlled by single knob, half-draw brings on first stop and full draw brings on second
Manual keyboards CC-g3, 56 notes, concave radiating pedalboard CC-f1, 30 notes
Phone: 978.283.1909
Email: cbfisk@cbfisk.com
Opus 67 (orig.)
Central Christian Church
Huntington, IN
View Site:
Created: 1976
The church is a contemporary building with an angular ceiling including a V-shaped notch to accommodate the organ. The instrument’s asymmetrical appearance, a departure from our previous work, allows the entire visual design to flow into the architecture of the church.
Opus 67 follows Charles Fisk’s Alsatian ideal, but demonstrates his growing interest in the work of Gottfried Silbermann. The winding system, including the effective Tremblant doux, is based upon Silbermann instruments. The overall tonal design of organ is eclectic to fulfill its many roles in leading congregational singing, choral accompaniment, and interpreting organ repertoire. Joan Lippincott dedicated the organ in October 1976. Three “prepared-for” stops, the Great Doublet 2′ and the Swell Geigen 8′ and Hautboy 8′, were installed in 1986.
Great
Bourdon 16′
Prestant 8′
Spire Flute 8′
Octave 4′
Doublet 2′
┌Blockflute 2′
└Cornet III
Mixture IV-VI
Trumpet 8′
Swell
Geigen 8′
Chimney Flute 8′
Spitz Flute 4′
┌Nazard 2 2/3′
└Cornet II-III
┌Fifteenth 2′
└Fourniture IV
Cremona 8′
Hautboy 8′
Pedal
Bourdon
Octave 8′
┌Superoctave 4′
└Superoctave 2′
Bassoon 16′
Couplers:
Swell to Great
Great to Pedal
Swell to Pedal
Accessories:
Tremulant
Bracketed pairs of stops controlled by single knob, half-draw brings on first stop and full draw brings on second
Manual keyboards CC-g3, 56 notes, concave radiating pedalboard CC-f1, 30 notes